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John Ford : réalisateur |
| Film
signé sous le nom de Jack Ford
|
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| 1917 | The tornado (cm) |
| The trail of hate (cm) | |
| The scrapper (cm) | |
| Pour son gosse (The soul herder) (cm) | |
| Cheyenne's pal (cm) | |
| Le ranch diavolo (Straight shooting) | |
| L'inconnu (The secret man) | |
| A marked man | |
| A l'assaut du boulevard (Bucking shooting) | |
| 1918 | Le cavalier fantôme (The phantom riders) |
| La femme sauvage (Wild women) | |
| Thieve's gold | |
| La tâche de sang (The scarlet drop) | |
| Du sang dans la prairie (Hell bent) | |
| The craving | |
| Le bébé du cow-boy (A woman's fool) | |
| Le frère de Black Billy (Three mounted men) | |
| 1919 | Sans armes (Roped) |
| The fighting brothers (cm) | |
| A la frontière (A fight for love) | |
| By indian post (cm) | |
| The rustlers (cm) | |
| Le serment de Black Billy (Bare fists) (cm) | |
| Gun law (cm) | |
| The gun packer (cm) | |
| La vengeance de Black Billy (Riders of vengeance) | |
| The last outlaw (cm) | |
| Le proscrit (The outcasts of Poker Flat) | |
| Le roi de la prairie (The ace of the saddle) | |
| Black Billy au Canada (The rider of the law) | |
| Tête brûlée (A gun fightin' gentleman) | |
| Les hommes marqués (Marked men) | |
| 1920 | The prince of avenue A |
| The girl in number 29 | |
| L'obstacle (Hitchin' posts) | |
| Pour le sauver (Just pals) | |
| 1921 | Un homme libre (The big punch) |
| The freeze-out | |
| The wallop | |
| Face à face (Desperate trails) | |
| Action | |
| Sure fire | |
| Jackie | |
| 1922 | Little Miss Smiles |
| Silver wings | |
| Le forgeron du village (The village blacksmith) | |
| 1923 | L'image aimée (The face on the bar-room floor) |
| Three jumps ahead | |
|
Film signé sous le nom de John Ford
|
|
| Cameo Kirby | |
| Le pionnier de la baie d'Hudson (North of Hudson bay) | |
| Hoodman blind | |
| 1924 | Le cheval de fer (The iron horse) |
| Les coeurs de chêne (Hearts of oak) | |
| 1925 | Sa nièce de Paris (Lightnin') |
| La fille de Négofold (Kentucky pride) | |
| Le champion (The fighting heart) | |
| Extra dry (Thank you) | |
| 1926 | Gagnant quand même (The chamrock handicap) |
| L'aigle bleu (The blue eagle) | |
| Les trois sublimes canailles (Three bad men) | |
| 1927 | Upstream |
| 1928 | Maman de mon coeur (Mother Machree) |
| Les quatre fils (Four sons) | |
| La maison du bourreau (Hangman's house) | |
| Napoleon's barber (cm) | |
| Riley the cop | |
| 1929 | Le costaud (Strong boy) |
| The black watch | |
| Salute (avec David Wayne Butler) | |
| 1930 | Hommes sans femmes (Men without women) |
| Born reckless | |
| Up the river | |
| 1931 | Seas beneath |
| The brat | |
| Arrowsmith | |
| 1932 | Tête brûlée (Air mail) |
| Une femme survint (Flesh) | |
| 1933 | Deux femmes (Pilgrimage) |
| Docteur Bull (Dr Bull) | |
| 1934 | La patrouille perdue (The lost patrol) |
| Le monde en marche (The world moves on) | |
| Judge priest | |
| 1935 | Toute la ville en parle (The whole town's talking) |
| Le mouchard (The informer) | |
| Stemboat' round the bent | |
| 1936 | Je n'ai pas tué Lincoln (The prisoner of Shark Island) |
| Marie Stuart (Mary of Scotland) | |
| Révolte à Dublin (The plough and the stars) | |
| 1938 | Hurricane (The hurricane) |
| La mascotte du régiment (Wee Willie Winkie) | |
| Quatre hommes et une prière (Four men and a prayer) | |
| Patrouille en mer (Submarine patrol) | |
| 1939 | La chevauchée fantastique (Stagecoach) |
| Vers sa destinée (Young Mr Lincoln) | |
| Sur la piste des Mohawks (Drums along the Mohawk) | |
| 1940 | Les raisins de la colère (The grapes of wrath) |
| Les hommes de la mer / Le long voyage (The long voyage home) | |
| 1941 | La route du tabac (Tobacco road) |
| Sex hygiene (cm) | |
| Qu'elle était verte ma vallée (How green was my valley) | |
| 1942 | The battle of Midway |
| Torpedo squadron | |
| 1943 | December 7th (avec G. Toland) |
| Nous partons ce soir (We sail at midnight) | |
| 1945 | Les sacrifiés (They were expendable) |
| 1946 | La poursuite infernale (My darling Clementine) |
| 1947 | Dieu est mort (The fugitive) |
| 1948 | Le massacre de Fort Apache (Fort Apache) |
| 1949 | Le fils du désert (Three godfathers) |
| La charge héroïque (She wore a yellow ribbon) | |
| 1950 | Planqué malgré lui (When Willie comes marching home) |
| Le convoi des braves (Wagon master) | |
| Rio Grande (Rio Grande) | |
| 1952 | What price glory ? |
| L'homme tranquille (The quiet man) | |
| 1953 | Le soleil brille pour tout le monde (The sun shines bright) |
| Mogambo | |
| 1955 | Ce n'est qu'un au revoir (The long gray line) |
| Permission jusqu'à l'aube (Mister Roberts) (avec Mervyn LeRoy) | |
| 1956 | La prisonnière du désert (The searchers) |
| 1957 | L'aigle vole au soleil (The wings of eagles) |
| Quand se lève la lune (The rising of the moon) | |
| 1958 | So alone |
| La dernière fanfare (The last hurrah) | |
| 1959 | Inspecteur de service (Gideon's day / Gideon of Scotland Yard) |
| Korea | |
| Les cavaliers (The horse soldiers) | |
| 1960 | Le sergent noir (Sergeant Rutledge) |
| Alamo (The Alamo) (avec John Wayne) | |
| 1962 | Les 2 cavaliers (Two rode together) |
| L'homme qui tua Liberty Valance (The man who shot Liberty Valance) | |
| La conquête de l'ouest (How the west was won) (avec Henry Hathaway, George Marshall) | |
| 1963 | La taverne de l'irlandais (Donovan's reef) |
| 1964 | Les cheyennes (Cheyenne autumn) |
| 1965 | Le jeune Cassidy (Young Cassidy) (avec Jack Cardiff) |
| 1966 | Frontière chinoise (Seven women) |